Today is the 30th March 2020. A week ago I had a text from my friend Hazel while on holiday to tell us that New Zealand was going into level 4 lockdown in 2 days. We needed to decide what to do .. holiday over .. go home? No flights. Return to Auckland and be locked down with them. We were so grateful for her offer, at least we had a friend who could help us.
It has been surreal hearing all the news. Is it really happening and I feel like I'm upside down? Especially as we contact loved ones at home at the beginning and end of our day .. rather strange.
I finally feel like I am listening .. the road messages are clear ... Stay calm, be kind.
I read this message in the park today - not sure if it's Maori text?
"That this incoming tide is not the breaking of waves upon the reef, but the rising tide of humankind reaching for this distant horizon, carried ashore upon hopes and aspirations.
Welcome to the pillow on which rests the dreams of those who came before you""
I also overheard a Maori man say "it's time everyone slowed down".
Feeling so lucky to be here.
Monday, 30 March 2020
Tuesday, 29 January 2019
Paintings of runners
The last two months I have been getting enquiries about runners paintings. My son Thomas is a keen cross country and marathon runner so I have done quite a few paintings on that theme. My aim is to try to capture the style of the runner and the feeling of motion.
My spirit runners for the Olympics in 2012 were popular
As was the "runners at the bend"
A charcoal version of these runners is still available framed at £140
My spirit runners for the Olympics in 2012 were popular
As was the "runners at the bend"
A charcoal version of these runners is still available framed at £140
Thursday, 31 May 2018
Spring terms life drawing
In the spring term of life drawing the elements we covered were all related to tone - exploring ways of using tone, tone in different media, subtractive tone, tone on dark paper and looking at artists from the renaissance period.
This term I have pre prepared my paper for life drawing classes. I have either used gesso only and a large brush to accentuate the brush strokes or stuck newspaper into the wet gesso to get a reverse print.
I have picked out a few of my favourite life drawings,
This term I have pre prepared my paper for life drawing classes. I have either used gesso only and a large brush to accentuate the brush strokes or stuck newspaper into the wet gesso to get a reverse print.
I have picked out a few of my favourite life drawings,
I love the light on the shoulders on this drawing |
This model was slightly twisted but made an interesting pose |
I just captured the torso here, the light was amazing |
I love this curled up pose with the head twisted |
A wonderful relaxed pose quickly drawn in charcoal |
I loved the shoulders on this one and the fall of the light |
Again the shoulders were amazing, just catching the light |
Tuesday, 6 March 2018
Flower paintings and cards
Over the years I have painted numerous still lifes of flowers. I try to capture the feel and character of the flower. I like to buy flowers for the table if I don't have any in the garden to pick. At this time of the year I mainly buy tulips and roses.
I love it when the light hits the flowers and makes the petals and leaves really shine. I try to capture this in my paintings. I usually start by making sketches of the flowers in pencil, charcoal or pastel. I really look and try to capture what I see and the character of each flower. For instance if the flower is standing up or bowed down. I look at the length and position of the petals. I treat them rather as I would people by looking at their proportions.
Below is a sketch I have done in charocoal
It is useful to have the sketch as a reminder when panting the flowers. Here is the final painting.
I often do little sketch paintings of my flowers to make personal cards. The following sketches were made of the spring helebores in my garden. I use cards which have a rectangular aperture which allows me to stick these original sketchs in. For these sketches I used paper I had prepared for the first two and brown paper on the last one.
I love it when the light hits the flowers and makes the petals and leaves really shine. I try to capture this in my paintings. I usually start by making sketches of the flowers in pencil, charcoal or pastel. I really look and try to capture what I see and the character of each flower. For instance if the flower is standing up or bowed down. I look at the length and position of the petals. I treat them rather as I would people by looking at their proportions.
Below is a sketch I have done in charocoal
Flowers in a vase, sketch |
It is useful to have the sketch as a reminder when panting the flowers. Here is the final painting.
Tuesday, 9 January 2018
Rome Unpacked
Happy New Year! It was great to see the images of Rome in the TV program "Rome Unpacked". It features so many images of Rome, you can see the presenters going around on a Vespa. You can actually see the Trevi fountain and then you learn it was filmed very early in the morning (5am)!
Even so it brought back some amazing memories of the buildings, old town roads and piazzas. I especially enjoyed going to see many of the amazing paintings in the basilicas and also an exhibition of paintings by Caravagio.
I particularly liked the piazzas especially those with cafes where you could linger, enjoy the ambiance, the sun and people watch! Here are a couple of my favourites:-
This painting is of a café in Piazza di Pietra. What you cannot see are the amazing columns of the temple of Hadrian to the left. I was more interested in the low light on the building and the people.
This is a painting of a cafe in Piazza della Rotonda with the Pantheon in the background. It is an amazing building with its unsupported dome and oculus (hole in the middle) the only source of natural light. This café was great to just watch the world go by. It was one of my favourite places in Rome although quite busy most of the time.
You can see these and more of my Rome collection at www.littlevangogh.co.uk. I am looking forward to seeing the second part of "Rome Unpacked".
Even so it brought back some amazing memories of the buildings, old town roads and piazzas. I especially enjoyed going to see many of the amazing paintings in the basilicas and also an exhibition of paintings by Caravagio.
I particularly liked the piazzas especially those with cafes where you could linger, enjoy the ambiance, the sun and people watch! Here are a couple of my favourites:-
Café in the sunlight |
Café by the Pantheon |
You can see these and more of my Rome collection at www.littlevangogh.co.uk. I am looking forward to seeing the second part of "Rome Unpacked".
Monday, 6 November 2017
The Three Graces
This summer I went to see the Raphael exhibition "The drawings". It was amazing and not just drawings in the inanimate sense but drawings full of life and vigour. You could sense the emotions and you felt they could have been drawn recently. One of my favourites was of the three graces. It is a tonal study and reminded me of how difficult it is to do a drawing with three figures. This sometimes happens when we have short 2 or 5 minute poses to put on one sheet. Many times it doesn't work and the figures don't look connected in any way. So when it does work, I feel very happy with my drawing and this one below was one of those times. It is on prepared paper, just painted with a big brush beforehand, and then using charcoal and a putty rubber to highlight at the time. I work quickly and try to capture the feeling especially how they are balanced.
My three graces |
Thursday, 4 May 2017
Cafés trilogy
I am currently showing a trilogy of Café scenes at the West Ox Arts Gallery in Bampton, Oxfordshire. The culture of sitting in cafés is very much the in thing now and I just loved bringing these three pictures together for the Trilogy exhibition. On my current theme of presenting more information I wrote a short piece about how they came about (see below). If you want to visit they are showing until Sunday 28th May, please check www.westoxarts.com for details.
Shaded
corner café, Lisbon (left)
I was lucky
to spend a few days in the lovely city of Lisbon. The days were hot and the
whole place seemed to glow in a wonderful yellow light. This café was nestled
in the shade of an old building. The people sitting there captured my interest
whilst I was observing from a park bench nearby.
Back street
café, Dubrovik (middle)
A holiday
trip to this medieval city reminded me of days gone by without cars and the
modern trappings of life. This back street café sheltered people from the heat
of the sun but there was wonderful illumination by light streaming from the
passageways. I can remember the warmth of the stone walls and pavements. The waitress
with her bobbed hair caught my interest in particular.
Café with
green canopies, Vence, France (right)
I love the
light dancing around the canopies of this café. It is one that I know well from
my days living in Vence in the south of France. It sits next to the “Place du
Grand Jardin” with its regular markets. I often visited this café, meeting up
with friends from my French classes.
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